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With 0% approval, The Last Days of American Crime is considered the worst Netflix movie

Netflix's latest movie, “The Last Days of American Crime”, released on Friday (6/6), is being considered the worst movie ever released by the platform.
Action sci-fi based on the homonymous comics written by Rick Remender (author of “Deadly Class”), the film managed to be a negative unanimity among critics, reaching the extremely rare 0% (zero percent) approval mark on the Rotten website Tomatoes. 100% disapproved by all the critics who were willing to see it.
"A deadly march of clichés that offers nothing to look at and even less to consider," described the IndieWire website. “Instantly forgettable macho fantasy,” defined the Hollywood Reporter. “Every minute (of 148) feels like a punishment,” said the Pajiba website. "And police brutality is so pervasive that it would justify a warning," adds Variety. “The real crime is that this film exists first,” concluded The Maine Edge
These views are also shared by the public, who are rating “The Last Days of American Crime” from trash down on social media. There are those who consider that the film leaves “The Cloverfield Paradox” looking like a masterpiece. And there is already a campaign to create a special Golden Raspberry (the award for the worst films of the year) just for Netflix releases, due to the low quality of the work.
“The Last Days of American Crime” is set in the near future, on the eve of the launch of a program to end crimes. To end illegal activities, the American government has developed sound technology capable of inhibiting any criminal behavior. In possession of this information, a son of mobsters (played by Michael Pitt, from “Ghost in the Shell”) joins an assailant (Édgar Ramírez, from “The Girl on the Train”) and a hacker (Anna Brewster, from “Versailles ”) To commit the last major assault in the country before the signal is activated. The adaptation was written by Karl Gajdusek (“ Oblivion ”) and the direction was in charge of the Frenchman Olivier Megaton (“ Implacable Search 3 ”).

Marcel Plasse