CANON
Canon EOS R6 V: 7K recording and integrated fan
Canon has announced the EOS R6 V, a new full-frame mirrorless camera aimed at content creators and vloggers. Derived from the R6 Mark III, the new camera includes advanced features for everyday audiovisual production and does not have the traditional electronic viewfinder. On the other hand, it has an internal fan to prevent overheating during prolonged use.
To check the framing, it is necessary to use the three-inch articulated rear display or external monitors. The sensor has 32.5 MP and does not use stacked architecture, which requires care in scenes with very fast movements, as it can cause distortions.
Inside, the tech is all Canon Using a 32 megapixel full-frame sensor capable of capturing 7K video in RAW at up to 60p, or bringing down the video to 4K at 120p and 2K’s slightly better than Full HD at a faster slow-mo friendly 180p.
Of particular note is the style of capture, with an “open gate” recording that allows you to edit horizontal or vertical video out of a clip, and a tripod mount on both sides of the camera, bottom and side, making it able to capture in either by default and edit the results later.
The system also features some Canon staples, such as eye detection and subject tracking for autofocus, as well as a vari-angle screen that comes off the side.
There’s also built-in 5-axis image stabilisation with around seven stops of flexibility, and while video is the main focus, the image side of things can capture up to 40 frames per second using the 32 megapixel sensor.
The camera records videos in 12-bit RAW files in 7K at 60 fps and allows full sensor readout at 30 fps, which helps creators who publish content vertically and horizontally at the same time. For slow motion, there are options in 4K at 120 fps and in 2K up to 180 fps. The R6 V offers Log 2 and Log 3 profiles in 10-bit for greater flexibility in color correction, and Canon claims a dynamic range of over 15 stops in the flattest mode.
Canon has unveiled the EOS R6 V, a new full-frame RF-mount camera capable of 7K open gate recording, active cooling, 5-axis in-body stabilization, and Dual Pixel CMOS Autofocus II. This compact video-forward body is ideal for content creation, streaming, podcasting, and a host of other modern production scenarios. Releasing alongside the EOS R6 V is a new RF 20-50mm f/4 L IS USM Power Zoom lens that weighs less than a pound and can be controlled remotely. We have all the details on these exciting new offerings.
The EOS R6 V has the same 7K 32.5MP CMOS sensor seen in the R6 III, now with an expanded suite of recording formats. Record in 7K Canon RAW 3:2 open gate at a resolution of 6960 x 4640, or 4K from the oversampled 7K readout. There’s also uncropped 4K120p and 2K180p, alongside ATOMOS 7K Raw recording via HDMI. Standard Canon RAW is available at up to 7K30p in open gate, while 7K60p is capped at RAW Light and 16x9. Open gate resolution slightly drops to 6912 x 4608 when shooting in MP4. The camera should be able to capture 15 stops of dynamic range when shooting in Canon Log 2.
The R6 V is dust and water resistant, and features both a CFexpress Type B and an SD card slot for redundancy, sub-recording, or proxies. As mentioned, expect 5-axis in-body stabilization and three different levels of active cooling. The IBIS system also has a Coordinated Control mode that combines sensor, optical, and digital stabilization. There’s a full-size HDMI port, as well as a USB-C for power and data. UVC/UAC streaming is supported at up to 4K60p. Photo Mode is capable of up to 40fps continuous shooting, but the R6 V is electronic shutter only.
The camera has a 3” vari-angle LCD, DIGIC-X processor, tally lamp, zoom lever, front record button, White Balance button, Color Mode button for picture styles and filters, plus EOS VR System support and a Live button for streaming. The body has a vertical tripod mount for easy social media shooting, and the UI will automatically rotate. Exposure aids include waveforms, false color, and zebras, and the DPAF II system includes people, animal, and vehicle tracking. The R6 V is capable of four channel audio and should have full compatibility with the TASCAM CA-XLR2d-C XLR adapter and the Canon DM-E1D stereo mic.
The body features a dedicated zoom lever, full manual controls, and an active cooling system with a fan, designed to avoid the overheating problems of previous releases. In mild conditions, the camera records for more than two hours straight at maximum quality; in intense heat, the battery life drops to 52 minutes with the exhaust fan at maximum.
Canon’s new RF 20-50mm f/4 L IS USM PZ lens is the first RF power zoom that can also be switched to a traditional manual zoom. Controlling the zoom and changing the speed can be done in camera, on a smartphone or tablet via Canon’s Camera Connect app, or with a Bluetooth remote.
The lens has six stops of optical image stabilization on its own, or eight when used in conjunction with a camera’s IBIS system. The zooming mechanics are self-contained and the lens has a fluorine coating for dust and water resistance. It weighs less than a pound, has a 67mm filter thread, and features 13.
elements in 11 groups.The 20-50mm is compatible with a new Canon BR-E2 Wireless Remote, as well as a new HG-200BTR Tripod Grip. The lens should prove popular in the same premium content creation and small production scenarios where the R6 V excels. There is also a new Creator Accessory Kit with the remote, grip, and the DM-E100 stereo microphone, available on its own or bundled with cameras like the EOS R50 V and PowerShot V1.
Internal stabilization reaches up to 8.5 stops, and the autofocus uses algorithms trained to recognize people, animals, and vehicles. There is also a dedicated focus mode for product demonstrations, useful for technical review channels. The body will arrive on the European market for 2,619 euros, with sales expected at the end of June along with the RF 20-50mm motorized lens, priced at 1,569 euros.
by mundophone



