TECH

The iPhone 18 Pro’s variable aperture is unnecessary for most people
The new camera on the iPhone 18 Pro introduced a feature that garnered significantly more attention at launch than anything else: a variable aperture system for the main (48 MP) lens, capable of switching between f/1.48 and f/4.0. While the company’s marketing might make this sound revolutionary, the reality is that the mechanism will have an almost imperceptible impact on the daily lives of the vast majority of users.
For those who have mastered professional photography and use manual controls, a variable aperture offers precise adjustments over light intake and the natural optical blur (bokeh) of a scene.
However, for the average user who relies solely on automatic mode, the system will remain locked at an f/1.8 aperture almost all the time—behaving exactly as it did in previous iPhone generations.
Is there any real advantage for those who use automatic mode? Furthermore, this feature is far from new to smartphones—even setting aside the Samsung Galaxy S9, which featured a simpler system capable of switching between only two, much more limited, aperture settings.
The only significant practical benefit occurs in extremely low-light environments. In such situations, the lens opens to its widest setting of f/1.48, allowing for greater physical light capture and faster shutter speeds, which helps reduce motion blur. Yet, this same result could be achieved by maintaining a fixed, wider physical aperture and adjusting exposure through image processing—without the need for a moving mechanical component inside the camera module.
For years, brands like Xiaomi and Huawei have incorporated lenses with variable apertures—offering settings similar to those found on the iPhone 18 Pro—into their own high-end smartphones. The most striking example is the Huawei Pura 80 Ultra, which combines this technology with a 1-inch sensor and continues to lead the global DxOMark camera rankings, pushing Apple’s latest release into second place.
If you aren’t a professional content creator—or don’t plan on using camera apps with advanced manual controls—you’ll be paying a premium for moving parts within the sensor that are unlikely to make any real difference to your final results. Your photos will still be excellent, but not because of any lens variability when shooting in automatic mode.
If you have any other questions about the device, check out our full review of the iPhone 18 Pro. In the meantime, we’d love to know: do you typically adjust your camera settings manually before taking a photo, or do you prefer to rely entirely on your phone’s automatic mode?
Testing the iPhone 18 Pro’s most-hyped feature The iPhone 18 Pro has a variable aperture. According to Apple’s keynote, it’s the brand’s «biggest camera improvement in years». Supposedly, it provides «more control for light intake and depth of field,» enabling «new levels of creativity». Well, well. That does sound great.
But is there any truth to these salesy promises? In a bid to find out, I put the feature under the microscope – and got a mixed first impression. In most situations, the variable aperture makes zero difference to your photos. But that doesn’t mean it’s entirely pointless.
Very little control over depth of field...If you’re a photography buff, you’ll be familiar with the concept of a variable aperture from using traditional cameras. It’s a mechanism that uses multiple blades to increase or decrease the size of the lens opening. On larger cameras, variable apertures are indispensable because they serve two important functions:
Controlling light intake: If you’re taking pictures in blazing sunlight, a fully open lens lets in so much light that the camera’s shutter can’t expose the sensor for a short enough period of time. As a result, photos turn out overexposed. A variable aperture solves that problem.
Controlling depth of field: The larger the lens opening, the smaller the area in focus. Photographers often want this, as it means the subject in focus stands out from the background. It’s a technique used in portrait photography, for instance. In other scenarios, however, every area of the photo needs to be equally sharp. Landscape photography is a prime example of this. Variable apertures allow you to control that depth of field.
On a smartphone, these functions are mostly unnecessary. This is down to the device’s tiny image sensor (1/12 of the size of a full-frame sensor) and its electronic shutter. It already achieves high enough shutter speeds – even in direct sunlight with the lens wide open. As a result, you don’t need a variable aperture to get proper exposure.
The small sensor also means that the focal plane is super wide anyway – especially with a wide-angle lens like the one on the iPhone’s main camera (24 mm 35 mm equivalent). The maximum aperture of ƒ/1.48 produces roughly the same depth of field as ƒ/5.2 on a full-frame camera. Photos come out pretty sharp all over, unless you get extremely close to the subject. The new aperture can only make the focal plane larger, not smaller. That means pronounced blurring (known as «bokeh») still has to be created digitally using Portrait Mode.
Strictly speaking, the «more control over exposure and depth of field» promised in Apple’s promotional materials isn’t a lie. However, on a smartphone, the benefits are far less significant than the company suggests.
That being said, the feature does have two minor uses. Firstly, the variable aperture allows you to deliberately increase exposure time to create motion blur. Though, only within a narrow range of ambient light. The iPhone’s aperture can be adjusted from just ƒ/1.48 to ƒ/4. Outdoors, in daylight, the shutter speed is still much too fast, even at ƒ/4. And in very low light, it doesn’t make any difference, because you’ll be opening the aperture all the way anyway. At best, it’ll make a difference in a handful of scenarios – and only at dusk.
The second benefit of the variable aperture is similarly limited. Videos look more natural when the shutter speed of individual frames is about half the frame rate. For example, 1/60 second at a frame rate of 30 frames per second (FPS). This is because our eyes expect some motion blur in videos. Again, in specific lighting situations, the variable aperture can be the deciding factor in whether to set the shutter speed to 1/250 or 1/60 of a second. In most cases, though, you’ll still need an ND filter if you want to pull this off.
The variable aperture on the iPhone 18 Pro (ranging from f/1.48 to f/4.0) has drawn mixed reactions; it is generally considered of little use to the average user, serving more as a niche feature for content creators and photography enthusiasts than as a revolutionary advancement for daily use.
Why don’t most people need it?
• Small sensor: Due to the tiny size of a smartphone sensor, the depth of field is naturally quite deep. The optical background blur (bokeh) produced at f/1.48 is limited—very similar to the effect that software-based portrait modes have been achieving for years.
• Over-reliance on automatic exposure: For everyday photography—such as quick snapshots of family, pets, or food—the iPhone’s automatic mode intelligently adjusts the image, eliminating the need for the user to manually manipulate physical aperture blades.
• Limitations in daylight: In very bright or sunny environments, even when stopping down to f/4.0, the phone’s shutter speed remains extremely fast; this does not fully replace the need for professional-grade filters (such as ND filters).
Who actually benefits from this feature?
• Videographers and content creators: Those who utilize manual controls—such as the 180-degree shutter rule—to achieve more natural, cinematic motion blur in their videos.
• Photography enthusiasts: Those who prefer using "Pro" mode to lock white balance and manually adjust light intake and sharpness for specific conditions (such as during twilight).
by mundophone







